
| # | Title | Duration |
|---|---|---|
1 | L1 - Introduction | — |
2 | L2 - Christmas, 1772 | — |
3 | L3 - Introduction To The Baroque Aesthetic | — |
4 | L4 - Fugue | — |
5 | L5 - Historical Overview From Constantine Through The Great Thinkers Of The Baroque | — |
6 | L6 - Style Features Of High Baroque Music—A Musical Glossary | — |
7 | L7 - Style Features Of High Baroque Music, Part II—A Musical Glossary | — |
8 | L8 - Style Features Of High Baroque Music, Part III—A Musical Glossary | — |
9 | L9 - Bach’s Inheritance, Part I—The Protestant Reformation And The Rise Of Lutheranism | — |
10 | L10 - Lutheranism, Part II—The Chorale, The Chorale Prelude | — |
11 | L11 - Bach’s Inheritance, Part II—The Development Of Italian Style | — |
12 | L12 - The Italian Style, The Operatic Ideal, And Lutheran Spirituality Are Joined | — |
13 | L13 - Vivaldi, Bach, And The Concerto, Part I—Vivaldi And The Venetian Opera | — |
14 | L14 - Vivaldi, Bach, And The Concerto, Part II——Vivaldi’s Model And Bach, Violin Concerto No. 2 In E Major | — |
15 | L15 - Vivaldi, Bach, And The Concerto, Part II (cont.) | — |
16 | L16 - Vivaldi, Bach And The Concerto, Part II—The Concerto Grosso And The Brandenburg Concerto No. 2 | — |
17 | L17 - Bach And The French Style, Part I—Dance And The Orchestral Suite | — |
18 | L18 - Dance The Orchestral Suite (cont.) | — |
19 | L19 - Bach And The French Style, Part II—The Keyboard Suite | — |
20 | L20 - The Keyboard Suite (cont.) | — |
21 | L21 - Bach And Opera, Part I—Cantata No. 140 Wachet Auf, Uns Ruft Die Stimme | — |
22 | L22 - Cantata No. 140 Wachet Auf, Uns Ruft Die Stimme (cont.) | — |
23 | L23 - Bach And Opera, Part II—Opera Buffa and The Secular Cantata, The Coffee Cantata | — |
24 | L24 - Opera Buffa And The Secular Cantata, The Coffee Cantata (cont.) | — |
25 | L25 - Bach Transcendent—The Saint Matthew Passion, Part I | — |
26 | L26 - Bach Transcendent—The Saint Matthew Passion, Part II | — |
27 | L27 - Bach Transcedent—The Saint Matthew Passion, Part III | — |
28 | L29 - Bach Transcendent—The Goldberg Variations, Part I | — |
29 | L30 - Bach Transcendent - The Goldberg Variations, Part II | — |
30 | L31 - Bach Transcendent—The Goldberg Variations, Part III | — |
31 | L32 - Bach Transcendent—The Goldberg Variations, Part IV | — |